June 27, 2006
Written by C.N.
The third installment of the Fast and the Furious series of movies is out (Tokyo Drift), sporting a few changes from its first two predecesors. The most obvious is that it is set in Japan and features a large Asian and Asian American cast. Part of the reason may be due to its new director, Taiwanese American Justin Lin, of Better Luck Tomorrow fame. Here’s MTV’s take on the film and on Justin Lin’s career up to this point:
The result is — as you’d expect — an eardrum-assailing, lightning-paced, adrenaline-pumping thrill ride that might send your bag of popcorn flying through the air. The real shock, however, is that it’s the first “Furious” movie with a brain under the hood.
“It’s a self-discovery movie,” Lin insisted, equating the story of street racer Sean Boswell (Lucas Black) to his own experiences as an Asian filmmaker navigating Hollywood. “This is really, at the end of the day, about this kid who is outside and comes into town. . . .
“It’s still funny sometimes,” Lin added, saying that as passionately as he felt about exposing American audiences to his world, he realized on day one of the “Drift” shoot that he was still working in theirs.
“The first day of my big movie, I drive on the set and the security won’t let me in. They thought I was a P.A. [production assistant]! It happens all the time. Every time I go to a meeting, they’re like, ‘So, what are you delivering?’ “It constantly slaps me in the face, that I’m still perceived as a bit of an outsider,” Lin lamented.
I haven’t seen the movie yet, but will try to soon. It’s nice to see Justin Lin moving up in the Hollywood hierarchy, from unknown independent filmmaker to director of feature-list mainstream studio movies. It’s also good to hear that he had enough power to demand — and get – major changes in the storyline and plot to make it more realistic and professional, and not just a retread of the first two movies and of tired stereotypes of Asian culture.
At the same time, it’s frustrating to hear about Justin’s experiences of still being treated as an outsider in the moviemaking industry. Unfortunately it just goes to show that although Asian Americans have made nice strides in penetrating the silver screen (or is that white?), there is apparently a long way to go until we are seen as regular, legitimate players in the industry.