The views and opinions expressed on this site and blog posts (excluding comments on blog posts left by others) are entirely my own and do not represent those of any employer or organization with whom I am currently or previously have been associated.
Academic Version: Applying my personal experiences and academic research as a professor of Sociology and Asian American Studies to provide a more complete understanding of political, economic, and cultural issues and current events related to American race relations, and Asia/Asian America in particular.
Plain English: Trying to put my Ph.D. to good use.
The following new books highlight the different dimensions of globalized and transnational connections between Asia and Asian American as reflected in empirical, cultural, and literature studies of diasporas, communities, and ethnic enclaves within the U.S. and their relationship back to Asia and the rest of the world. As always, a book’s inclusion is for informational purposes only and does not necessarily mean a full endorsement of its contents.
In the United States, perhaps no minority group is considered as “model” or successful as the Asian American community. Rather than living in ominous “ghettoes,” Asian Americans are described as residing in positive-sounding “ethnic enclaves.” Writing the Ghetto helps clarify the hidden or unspoken class inequalities faced by Asian Americans, while insightfully analyzing the effect such notions have had on their literary voices.
Yoonmee Chang examines the class structure of Chinatowns, Koreatowns, Little Tokyos, and Little Indias, arguing that ghettoization in these spaces is disguised. She maintains that Asian American literature both contributes to and challenges this masking through its marginalization by what she calls the “ethnographic imperative.” Chang discusses texts from the late nineteenth century to the present, including those of Sui Sin Far, Winnifred Eaton, Monica Sone, Fae Myenne Ng, Chang-rae Lee, S. Mitra Kalita, and Nam Le. These texts are situated in the contexts of the Chinese Exclusion Era, Japanese American internment during World War II, the globalization of Chinatown in the late twentieth century, the Vietnam War, the 1992 Los Angeles riots, and the contemporary emergence of the “ethnoburb.”
Combining critical dance history and ethnography to look at issues of immigration, citizenship, and ethnic identity, Priya Srinivasan’s groundbreaking book Sweating Saris considers Indian dance in the diaspora as a form of embodied, gendered labour. Chronicling the social, cultural, and political relevance of the dancers’ experiences, she raises questions of class, cultural nationalism, and Orientalism. Srinivasan presents stories of female (and male) Indian dancers who were brought to the United States between the 1880s and early 1900s to perform.
She argues that mastery of traditional Indian dance is intended to socialize young women into their role as proper Indian American women in the twenty-first century. The saris and bells that are intrinsic to the shaping of female Indian American gender identity also are produced by labouring bodies, which sweat from the physical labour of the dance and thus signifies both the material realities of the dancing body and the abstract aesthetic labour.
Srinivasan merges ethnography, history, critical race theory, performance and post-colonial studies among other disciplines to investigate the embodied experience of Indian dance. The dancers’ sweat stained and soaked saris, the aching limbs are emblematic of global circulations of labor, bodies, capital, and industrial goods. Thus the sweating sari of the dancer stands in for her unrecognized labor.
Srinivasan shifts away from the usual emphasis on Indian women dancers as culture bearers of the Indian nation. She asks us to reframe the movements of late nineteenth century transnational Nautch Indian dancers to the foremother of modern dance Ruth St. Denis in the early twentieth century to contemporary teenage dancers in Southern California, proposing a transformative theory of dance, gendered-labor, and citizenship that is far-reaching.
As Adam M. McKeown demonstrates, the push for increased border control and identity documentation is the continuation of more than 150 years of globalization. Not only are modern passports and national borders inseparable from the rise of global mobility, but they are also tied to the emergence of individuals and nations as the primary sites of global power and identity.
McKeown’s detailed history traces how, rather than being a legacy of “traditional” forms of sovereignty, practices of border control historically rose from attempts to control Asian migration around the Pacific in the 1880s. New policies to control mobility had to be justified in the context of contemporary liberal ideas of freedom and mobility, generating principles that are taken for granted today, such as the belief that migration control is a sovereign right of receiving nations and that it should occur at a country’s borders.
McKeown shows how the enforcement of these border controls required migrants to be extracted from social networks of identity and reconstructed as isolated individuals within centralized filing systems. Methods for excluding Asians from full participation in the “family of civilized nations” are now the norm between all nations. These practices also helped institutionalize global cultural and economic divisions, such as East/West and First and Third World designations, which continue to shape our understanding.
Over three decades have passed since the first wave of Indochinese refugees left their homelands. These refugees, mainly the Vietnamese, fled from war and strife in search of a better life elsewhere. By investigating the Vietnamese diaspora in Asia, this book sheds new light on the Asian refugee era (1975-1991), refugee settlement and different patterns of host-guest interactions that will have implications for refugee studies elsewhere. The book provides:
A clearer historical understanding of the group dynamics among refugees – the ethnic Chinese ‘Vietnamese refugees’ from both the North and South as well as the northern ‘Vietnamese refugees’
An examination of different aspects of migration including: planning for migration, choices of migration route, and reasons for migration
An analysis of the ethnic and refugee politics during the refugee era, the settlement and subsequent resettlement
This book will be of interest to students and scholars of globalization, migration, ethnicities, refugee histories and politics.
This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, “marked transnationality,” and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films.
The topics explored in this collection include the innovation of Hollywood generic formulas into 1950’s and 1960’s Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions.
Exploring how each Chinatown is different; Benton explains how a unique culture developed and outlines their basic cultural, social, and political features. He highlights the unique features of the different Chinatowns surveyed. For instance, in Paris, there is a Chinatown populated primarily by Chinese who are the descendants of Chinese migrants to Southeast Asia (a former French colony).
In the United States, the cloistered nature of Chinatowns stemmed from institutionalized racism. And in Australia, weaker taboos against interracial sex led to more open enclaves. Everywhere, though, Chinatowns have been stereotyped as places of exoticism and corruption, and to this day are frequently viewed through an Orientalist gaze. In this truly unique book, Gregor Benton applies his vast knowledge to cover all of these features.
Suggested reference: Le, C.N. . "New Books: Asian Diasporas, Communities, and Transnationalism" Asian-Nation: The Landscape of Asian America. <http://www.asian-nation.org/headlines/2011/10/new-books-asian-diasporas-communities-transnationalism/> ().
Short URL: http://www.asian-nation.org/headlines/?p=1797